A large part of the credit for this post belongs to Christina Xu, who did most of the background research while I was in class looking at Google Images results for “giorgio moroder mustache.”
I was introduced to Türkpop darling Serdar Ortaç by an eccentric Turkish-Brooklyner-Turkish waiter at a restaurant adjoining a budget hotel in Istanbul. I buy a lot of music when I travel, and I often try to get suggestions from locals I meet. The waiter seemed like a good person to ask, since – judging from his habit of publicly announcing the latest developments in his sex life to the restaurant guests at breakfast each morning – I assumed we were on pretty familiar terms. After faking my way through a few painful minutes of Yankees-Red Sox banter, I got directions to the nearest record shop and the names of his favorite Turkish artists. One of his suggestions was the guy pictured below, posing with his… uh, I guess that’s a domesticated panther.
I left the store with Ortaç’s latest album Kara Kedi (“black cat” in Turkish, whence the…) and an album of remixes from a couple years ago. I find that remix albums are a solid bet when buying music by an artist I’ve never actually heard, because if I end up hating the artist, I can still usually find a palatable remix.
Strictly as a matter of personal taste, I’m not really a fan of Ortaç’s singing. Türkpop gravitates strongly in the direction of nasally belted lyric ballads, which ain’t really my thing. His instrumentals are well off the hook, though – wacky strings and funked-out noodling brass all over some intense thudding bass. Accordingly, I decided to do some chopping. I took two tracks from Kara Kedi, extracted just the bits where Ortaç isn’t singing, and shuffled them all back together. The resulting track is after the jump, at the bottom of the post. Continue reading